Anisette - Fonts - Typofonderie

Anisette

Light

by Jean François Porchez

Desktop

Web

ePub

App

€55.00

?

typography has not been neglected in these developments, which have been expressed by an obvious reversion to certain styles. however, most of the existing types were old-fashioned and not adapted to today’s working methods, owing their fragility. a new typeface had to be found with a design that corresponded to today’s taste. thus we have created this typeface, a modern and elegant typeface, both practical and robust. in recent years, a new tendency has become manifest in the decorative arts. while the simplicity of the lines has been preserved, the straightness is yielding and a distinguished elegance is coming into its own again. typography has not been neglected in these developments, which have been expressed by an obvious reversion to certain styles.¶ HOWEVER, MOST OF THE EXISTING TYPES WERE OLD-FASHIONED AND NOT ADAPTED TO TODAY’S WORKING METHODS, OWING THEIR FRAGILITY. A NEW TYPEFACE HAD TO BE FOUND WITH A DESIGN THAT CORRESPONDED TO TODAY’S TASTE. THUS WE HAVE CREATED THIS TYPEFACE, A MODERN AND ELEGANT TYPEFACE, BOTH PRACTICAL AND ROBUST. THIS SENTENCE IS JUST HERE TO SHOW YOU SOME NUMERALS 2365.

typography has not been neglected in these developments, which have been expressed by an obvious reversion to certain styles. however, most of the existing types were old-fashioned and not adapted to today’s working methods, owing their fragility. a new typeface had to be found with a design that corresponded to today’s taste. thus we have created this typeface, a modern and elegant typeface, both practical and robust. in recent years, a new tendency has become manifest in the decorative arts. while the simplicity of the lines has been preserved, the straightness is yielding and a distinguished elegance is coming into its own again. typography has not been neglected in these developments, which have been expressed by an obvious reversion to certain styles.¶ HOWEVER, MOST OF THE EXISTING TYPES WERE OLD-FASHIONED AND NOT ADAPTED TO TODAY’S WORKING METHODS, OWING THEIR FRAGILITY. A NEW TYPEFACE HAD TO BE FOUND WITH A DESIGN THAT CORRESPONDED TO TODAY’S TASTE. THUS WE HAVE CREATED THIS TYPEFACE, A MODERN AND ELEGANT TYPEFACE, BOTH PRACTICAL AND ROBUST. THIS SENTENCE IS JUST HERE TO SHOW YOU SOME NUMERALS 2365.

typography has not been neglected in these developments, which have been expressed by an obvious reversion to certain styles. however, most of the existing types were old-fashioned and not adapted to today’s working methods, owing their fragility. a new typeface had to be found with a design that corresponded to today’s taste. thus we have created this typeface, a modern and elegant typeface, both practical and robust. in recent years, a new tendency has become manifest in the decorative arts. while the simplicity of the lines has been preserved, the straightness is yielding and a distinguished elegance is coming into its own again. typography has not been neglected in these developments, which have been expressed by an obvious reversion to certain styles.¶ HOWEVER, MOST OF THE EXISTING TYPES WERE OLD-FASHIONED AND NOT ADAPTED TO TODAY’S WORKING METHODS, OWING THEIR FRAGILITY. A NEW TYPEFACE HAD TO BE FOUND WITH A DESIGN THAT CORRESPONDED TO TODAY’S TASTE. THUS WE HAVE CREATED THIS TYPEFACE, A MODERN AND ELEGANT TYPEFACE, BOTH PRACTICAL AND ROBUST. THIS SENTENCE IS JUST HERE TO SHOW YOU SOME NUMERALS 2365.

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