Allumi Inline, reaffirms by its design, a humanized technological and scientific universe. This variation of the Allumi is specifically intended for titling. Pushed to their limits, neither perfectly round nor geometrically square, the shapes of the Allumi Inline embody a human vision of the high-tech universe.

Allumi can be described as the Microgramma (designed by Alessandro Butti & Aldo Novarese in 1952) of the new century, mixed with Frutiger (designed by Adrian Frutiger in 1973 for the Roissy Airport). A certain robustness and power emerge, defining a style that evokes a contemporary vision of the future.

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Concept of the Allumi Inline

The concept is an inline drawn in italic in a Roman shape. The result is a dynamic that plays on the optics and creates visual surprises. While a retro effect usually emerges in the Inline variants, the sloping design reinforces the idea of precision, of technological mastery of the Allumi Inline.

Designed in two standard and wide companions, Allumi inline is offered in five optical variants. The thicker lines (12pt) remain visible in small sizes even though they can be used in large sizes depending on your art direction.

In addition to combinable optical sizes, there are 5 layers in Allumi Inline (for a total of 42 fonts) that allow for numerous color remixes. The arrows and geometric shapes provided are drawn with a slanted Inline as well.