AW Conqueror Stincilla - Fonts - Typofonderie

AW Conqueror Stincilla

Book

par Jean François Porchez

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TYPOGRAPHY HAS NOT BEEN NEGLECTED IN THESE DEVELOPMENTS, WHICH HAVE BEEN EXPRESSED BY AN OBVIOUS REVERSION TO CERTAIN STYLES. HOWEVER, MOST OF THE EXISTING TYPES WERE OLD-FASHIONED AND NOT ADAPTED TO TODAY’S WORKING METHODS, OWING THEIR FRAGILITY. A NEW TYPEFACE HAD TO BE FOUND WITH A DESIGN THAT CORRESPONDED TO TODAY’S TASTE. ¶ THUS WE HAVE CREATED THIS TYPEFACE, A MODERN AND ELEGANT TYPEFACE, BOTH PRACTICAL AND ROBUST. IN RECENT YEARS, A NEW TENDENCY HAS BECOME MANIFEST IN THE DECORATIVE ARTS. WHILE THE SIMPLICITY OF THE LINES HAS BEEN PRESERVED, THE STRAIGHTNESS IS YIELDING AND A DISTINGUISHED ELEGANCE IS COMING INTO ITS OWN AGAIN. TYPOGRAPHY HAS NOT BEEN NEGLECTED IN THESE DEVELOPMENTS, WHICH HAVE BEEN EXPRESSED BY AN OBVIOUS REVERSION TO CERTAIN STYLES. HOWEVER, MOST OF THE EXISTING TYPES WERE OLD-FASHIONED AND NOT ADAPTED TO TODAY’S WORKING METHODS, OWING THEIR FRAGILITY. A NEW TYPEFACE HAD TO BE FOUND WITH A DESIGN THAT CORRESPONDED TO TODAY’S TASTE. THUS WE HAVE CREATED THIS TYPEFACE, A MODERN AND ELEGANT TYPEFACE, BOTH PRACTICAL AND ROBUST. THIS SENTENCE IS JUST HERE TO SHOW YOU SOME NUMERALS 2365.

TYPOGRAPHY HAS NOT BEEN NEGLECTED IN THESE DEVELOPMENTS, WHICH HAVE BEEN EXPRESSED BY AN OBVIOUS REVERSION TO CERTAIN STYLES. HOWEVER, MOST OF THE EXISTING TYPES WERE OLD-FASHIONED AND NOT ADAPTED TO TODAY’S WORKING METHODS, OWING THEIR FRAGILITY. A NEW TYPEFACE HAD TO BE FOUND WITH A DESIGN THAT CORRESPONDED TO TODAY’S TASTE. ¶ THUS WE HAVE CREATED THIS TYPEFACE, A MODERN AND ELEGANT TYPEFACE, BOTH PRACTICAL AND ROBUST. IN RECENT YEARS, A NEW TENDENCY HAS BECOME MANIFEST IN THE DECORATIVE ARTS. WHILE THE SIMPLICITY OF THE LINES HAS BEEN PRESERVED, THE STRAIGHTNESS IS YIELDING AND A DISTINGUISHED ELEGANCE IS COMING INTO ITS OWN AGAIN. TYPOGRAPHY HAS NOT BEEN NEGLECTED IN THESE DEVELOPMENTS, WHICH HAVE BEEN EXPRESSED BY AN OBVIOUS REVERSION TO CERTAIN STYLES. HOWEVER, MOST OF THE EXISTING TYPES WERE OLD-FASHIONED AND NOT ADAPTED TO TODAY’S WORKING METHODS, OWING THEIR FRAGILITY. A NEW TYPEFACE HAD TO BE FOUND WITH A DESIGN THAT CORRESPONDED TO TODAY’S TASTE. THUS WE HAVE CREATED THIS TYPEFACE, A MODERN AND ELEGANT TYPEFACE, BOTH PRACTICAL AND ROBUST. THIS SENTENCE IS JUST HERE TO SHOW YOU SOME NUMERALS 2365.

TYPOGRAPHY HAS NOT BEEN NEGLECTED IN THESE DEVELOPMENTS, WHICH HAVE BEEN EXPRESSED BY AN OBVIOUS REVERSION TO CERTAIN STYLES. HOWEVER, MOST OF THE EXISTING TYPES WERE OLD-FASHIONED AND NOT ADAPTED TO TODAY’S WORKING METHODS, OWING THEIR FRAGILITY. A NEW TYPEFACE HAD TO BE FOUND WITH A DESIGN THAT CORRESPONDED TO TODAY’S TASTE. ¶ THUS WE HAVE CREATED THIS TYPEFACE, A MODERN AND ELEGANT TYPEFACE, BOTH PRACTICAL AND ROBUST. IN RECENT YEARS, A NEW TENDENCY HAS BECOME MANIFEST IN THE DECORATIVE ARTS. WHILE THE SIMPLICITY OF THE LINES HAS BEEN PRESERVED, THE STRAIGHTNESS IS YIELDING AND A DISTINGUISHED ELEGANCE IS COMING INTO ITS OWN AGAIN. TYPOGRAPHY HAS NOT BEEN NEGLECTED IN THESE DEVELOPMENTS, WHICH HAVE BEEN EXPRESSED BY AN OBVIOUS REVERSION TO CERTAIN STYLES. HOWEVER, MOST OF THE EXISTING TYPES WERE OLD-FASHIONED AND NOT ADAPTED TO TODAY’S WORKING METHODS, OWING THEIR FRAGILITY. A NEW TYPEFACE HAD TO BE FOUND WITH A DESIGN THAT CORRESPONDED TO TODAY’S TASTE. THUS WE HAVE CREATED THIS TYPEFACE, A MODERN AND ELEGANT TYPEFACE, BOTH PRACTICAL AND ROBUST. THIS SENTENCE IS JUST HERE TO SHOW YOU SOME NUMERALS 2365.

Ambroise François, un Didot exquis en 7 séries image

Ambroise François, un Didot exquis en 7 séries

Allumi Inline, Titrage tonique multi-couleurs en 42 fontes image

Allumi Inline, Titrage tonique multi-couleurs en 42 fontes

Pro fonts: quelles caractéristiques? image

Pro fonts: quelles caractéristiques?

Parisine Compress, an ultra legible headline sanserif image

Parisine Compress, an ultra legible headline sanserif