Welcome

This is not our home page, but a page that list the latest links to published typefaces as well more information.

Typofonderie is an independent foundry since 1994. We design, manufacture and distribute exclusive typefaces. Meticulously built years after years, our library includes type families suited for every aspect of typographic usage. We are passionate about our work. Each of our published typefaces is the result of years of teamwork at Typofonderie.

Typofonderie new fonts

At Typofonderie, more your add fonts in your cart, more the price by font will decrease! Through the very handy faceted search, pick the right typefaces for your next project. Here are our latest typefaces published.

Astronef Base

Astronef + astronef.typofonderie.com Astronef Base, a large family of seven widths for a total of 126 fonts, available in four different atmospheres. On Astronef minisite, you will discover the different features of the 8 families, spacial in use and 70s headlines collection. You can read The upsetter influences of Astronef a long text about Astronef. As well the complete specimens in the 4 tones: Base, Boton, Widmer and Hollenstein. These tones pay tribute to these French graphic designers and type designers who carried during the 1960s, a certain vision of modernity in graphic design. Influence that persists in the world of French design.

Arbale Greek and Cyrillic

Arbale

Arbale Greek and Arbale Cyrillic are the new additions of Arbale Pro published in September 2023, a geometric sans serif available in three tones via OpenType: Modern, Universal and Vernacular. It is also the first time we publish typefaces for scripts other than Latin. These versions of Arbale support Greek and its derivatives, Ukrainian, Bulgarian, Serbian and many others languages using Cyrillic scripts.

Arsen

Arsen is a French Elzevir designed by Joachim Vu, that brings a distinctive touch to your projects while ensuring excellent readability, thanks to its four optical sizes. Each subfamily offers seven styles in Roman and italics, featuring 990 glyphs. Arsen, influenced by typefaces from the Parisian foundry Turlot published around 1895, is neither a Didot, nor a genre of Garamond, nor Caslon, nor Baskerville, nor even Fournier. This is why it will bring this unique style to your publication, design, that you are looking for.

Arbale

Arbale brings together various modernist influences and vernacular lettering of geometric inspiration from the 20th century. Arbale has been designed to meet both the need to bring style and a strong identity to graphic design projects in which it will be used, while remaining perfectly acceptable as a text typeface. Arbale feature three tones: Modern, Universal, Vernacular in 9 romans and nine italics for a total of 1032 glyph by font.

Austerlitz

Austerlitz + austerlitz.typofonderie.com is a typeface loosely inspired by Série 16 (circa 1878) published by Deberny & cie. The Série 16 is part of “caractères ordinaires modernes” intended for typographic composition at Deberny & Peignot. Austerlitz is available in 4 optical sizes is a serif typeface classified as common, natural, harmonious for the Petit and Labeur variants. Then elegant, classic, ornamental for the Gros and Affiche variants. Discover Austerlitz features such as optical sizes, alternates, small caps, etc.

Aiglon

Aiglon + aiglon.typofonderie.com is a monolinear, semi-grotesque, semi-geometric sans serif typeface. It is an open face, very sober yet recognizable, thanks to its unique characteristics. Aiglon is also a multi-faceted, adjustable typeface that meets a variety of European aesthetic canons.

AW Conqueror Stincilla

AW Conqueror Stincilla is a typeface for branding and logotypes. A certain elegance of form and curves is evident. Using Stincilla is to praise transparency, the superimposition of letters on plain, screened or photographic backgrounds. Each in its own way, the lightest as well as the fattest weights bring different tones.

AW Conqueror Sans

AW Conqueror Sans was born out of this desire to fuse geometric and humanistic sans. It remains a typeface fundamentally influenced by both Bauhaus spirit — with its simplified geometric forms — and Jan Tschichold’s attempts to link this modular spirit to Eric Gill’s humanist sans serif. AW Conqueror Sans is a claimed French synthesis of Germanic Modernism and English classical tradition.

Astronef Super

Astronef Super in 7 styles borrows from the charm of retro-futuristic universes. It is deliberately excessive in his stylistic choices, because his glyphs are intended to be remixed, mixed through his variants.