Its interesting to see a group of students producing a video about font piracy in design schools. Conducting interviews of various people from students — who actually use illegal fonts — to typeface designers, teachers and so on. Its a good topic about something that many people doing everyday (& not only students), without speaking and saying anything about it. Based on what I have understand from this nice video, is that learning more about the value of typefaces will help a lot. A step to the right direction.
Since we moved earlier this month, some friends asked to see how looklike our new place. Here it is in images. We are still in Clamart but closer to the train station which is about 6 minutes by train from the Gare Montparnasse. The team is very happy with the move, great space, good lighting, and a bonus room dedicated to our library, including a comfortable sofa, we all promised to use in order to fall asleep with a good book about typography in hands.
Typocamp is the result of a joint initiative of the Foundry (Digital Agency of Île-de-France), Silicon Xperience and Graffr, within the Futur en Seine festival. It is a type manifestation of a new kind posing as challenge of creating and staging typography in 48 hours in the fields of print, web and animation. We have also noted the presence as a type design team from the Velvetyne type foundry. The first edition took place on 22, 23 and 24 June at the Cantine.
In a couple of days, we will publish the first no-porchez typeface family. This forthcoming family is a sort of slab serif with trace of writing on it. Its not a revival or a pure old style, more a contemporary typeface, a synthesis of various ideas combined. Obviously you will know everything about the designer and the typeface later, but we will have to wait a bit more for that.
The moment a magazine is created is always an important event, specially when this one is French and is broadcasting abroad. The Shelf Journal has been created by Colin Caradec and Morgane Rébulard, both less than 25 years old and graduated from École Estienne.
I am currently doing an internship at Typofonderie, you may have already seen the article I wrote: Escape to the KABK describing the open doors of this school. Well, once again, I took a new short break in February 2012 to discover a type design course. I went to the ESAD in Amiens, the city of beets, brick walls and cold.
The confident and keen gaze of Roger Excoffon spoke volumes; his place in French typographic and graphic design history spans generations, some rejecting his work, while others, often more recent, venerating his vision and the visual force of his work. In my beginnings, as a student at the end of the 1980s, Mistral, Banco and Choc were lumped among the tacky fonts that should only have been used for parodying the shop window of a provincial butcher, baker or hair salon. At least that was the view of graphic designers, design instructors, journalists, etc. of the time. To recap the well-worn banter of that era’s agencies and studios: Excoffon’s typefaces were not modern.
I am currently doing an internship at Typofonderie and passionate about drawing letters. I inquired about the courses dedicated to typography and a school caught my eye: the Koninklijke Academie van Beeldende Kunsten or shorter, the KABK located in The Hague Netherlands. I heard of the 28 January 2012 open day and decided to go, armed with my little Renault Clio, my camera and my curiosity for everything related to the design of letters.