Allumi PTF featured in Publishing Praxis
!/icono/news/2010_PublishingPraxis_AllumiPTF.jpg(Allumi PTF featured in Publishing Praxis, 5-6…
Jean François Porchez announced at TypeCon 2010
[lettrine]T[/lettrine]ype makes a big…
Le Monde Sans PTF in use: FM Fukuoka
Logotype for FM Fukuoka, a radio was designed by Masahiko Kimura, GK Graphics. Its one of Japanese use of Le Monde Sans PTF. The two F means the station ?Always Fitting? Fukuoka (the listeners and the region).
Retiro awards 2010
!/icono/news/Retiro_sample_awards2010.gif(Retiro prizes: TDC2 2010, Club des DAs 2009, Designpreis nominee…
One week left: Parisine Office Std at 50% off
!icono/alphabets/fontfeatured/parisineofficestd_launchsmall_50.png(Parisine Office STD, similar to Frutiger, Thesis, The Sans,...
Ambroise in use: Cristie Kerr, Weekend Musical
Cristie Kerr (part of LPGA Golf Tour) new website was designed Olivia Choi, Senior Art Director at Dune Road Group. Olivia selected Ambroise as titling typeface for its style, precision without the coldness too usual for today Didones. Ambroise is used as central point of communication.
New exclusive offer: PTF collection
[lettrine]I[/lettrine]f you?re looking for a good and professional type…
New series: Parisine Gris
During the summer 2009 we’ve been asked by Real Simple to customize Parisine for their own use. We’ve adjusted few things for Real Simple and created new weights. Today, we’ve integrated this idea of intermediate weights into Parisine Gris: A new Regular between the original Parisine Clair Bold and Parisine Regular (as on the image above). Bold follow same mechanism. Finally, it’s also why this new sub-family was called Gris (Gray in English).
jfp: two video interviews
^Interview by Étienne Hervy…
Pèlerin magazine redesign use Typofonderie fonts
In June 2010, a new design conducted by Marc Guillon for the Pèlerin magazine was launched. This redesign feature Typofonderie fonts and new nameplate designed by Jean François Porchez.
For text and some subhead, headlines, Mencken typeface originally designed for the Baltimore Sun was used in order to improve readability of the content. Along various sizes cut of Mencken, a new sanserif specially created for this redesign appear.