This year the Printemps de la Typo celebrates the 20th anniversary of the DSAA Typographic Design course from école Estienne. Among the invited speakers, Typofonderie team member Mathieu Réguer will talk about his collaboration with Atelier Muesli.
The question of harmony between the form, the layout, and the content of a book is one of the most recurrent and fundamental questions in graphic design. This problem is the same than is character design. Have the support of the information to be invisible to convey it better, like a crystal glass, or can it have a personality that serves the content? In our recent readings three books arised that illustrate this question quite well. They beneficiate all three of a very polished but original layout work that allows not just to transmit the content but to amplify it.
The original idea of Costa was to create a contemporary mediterranean typeface style. Costa is a synthesis of the purity, as found on Greek capitals, and softness, found in Renaissance scripts. First thing was the design concept that take its roots on the Chancery script. Such writing style appeared during Italian Renaissance. Later few typefaces have been developed from such cursive models. Today most serifed typeface italic take their roots on such triangular structure we can find on gylphs like the n, p, or d.
The purpose of the workshop which will be held for the first time in France is to provide professional high-level training dedicated to the production of fonts with the Adobe FDK. The goal of the Adobe Font Development Kit for OpenType is to offer tools created and developed by the team in charge of typography at Adobe. These tools can produce OpenType fonts (and in some cases TrueType) of high quality, adding OpenType features beyond what some software typeface design can propose.
Presenting 50 years of type design was not an easy task. Albert Boton’s career was indeed long and very prolific. He was born in 1932 in Paris. His father was a carpenter so he grew up in the smell of glue and wood chips. Nothing predisposed him to become a type designer and yet that’s when he joined his father’s workshop that he discover type design.
Since 2009, Typofonderie propose webfonts through his Typekit partner (also via WebINK). Such services are the best way to use easily fonts on the web, their interface works really easily. Each page (on Details tab) of our typeface catalog propose links to Typekit pages when available. Few days ago, Typekit added new fonts to their catalog.
Its interesting to see a group of students producing a video about font piracy in design schools. Conducting interviews of various people from students — who actually use illegal fonts — to typeface designers, teachers and so on. Its a good topic about something that many people doing everyday (& not only students), without speaking and saying anything about it. Based on what I have understand from this nice video, is that learning more about the value of typefaces will help a lot. A step to the right direction.