Time to time, we offer several desktop wallpapers, download them and enjoy! The new wallpaper is set in Mislab, a typeface designed by Xavier Dupré, exclusively distributed by Typofonderie.

Amélie Lebleu is a graphic designer in love with typography. On her portfolio we can find quite good exhibit catalogs and exhibit identities. For Musée du Luxembourg she opted for a real typographical bias: rather than designing a catalog including reproductions of paintings, she deliberately and solely focused on typography, a unique typeface, a unique Apolline weight but two colors.

The original idea of Costa was to create a contemporary mediterranean typeface style. Costa is a synthesis of the purity, as found on Greek capitals, and softness, found in Renaissance scripts. First thing was the design concept that take its roots on the Chancery script. Such writing style appeared during Italian Renaissance. Later few typefaces have been developed from such cursive models. Today most serifed typeface italic take their roots on such triangular structure we can find on gylphs like the n, p, or d.

Started as an informal versions of Parisine, Parisine Plus was designed with the idea of bringing to a sanserif a lot from what we can generally find in serif typefaces. Serif typefaces are built on long tradition of letterforms taking their roots on writing. It is less directly the case with sanserif. Parisine Plus can be described as a “lineale garalde” or a Humanistic sans depending which typeface classification system you prefer. Humanistic sanserif are praised for their legibility and the rhythm they bring to paragraphs.

Time to time, we offer several desktop wallpapers, download them and enjoy! This new one was designed by Stéphane Elbaz, designer of the robust & elegant slab in 18 styles, Geneo.

Ambroise attempts to reproduce more of what we see printed on paper in the 19th century; a more accurate representation of Didot punches. So, the unbracketed serifs are not truly square straight-line forms but use tiny transitional curves instead. The result on the page appear more softer and less straight, particularly in larger sizes.

We are pleased announce the launch of the Apolline & Angie Sans typeface specimen. The specimen show the glyph sets, and some examples of the fonts used in text.