About Geneo typographic specimen

Interview of Félix Demargne

Few weeks ago, we received the printed specimens of the recently launched Geneo. For this new typeface, we decided with Stéphane Elbaz to ask Félix Demargne, a talentued graphic designer, to design the new typeface specimen. We through that it would be a good thing to ask a few questions to the really first user of this wonderful typeface. Here after are his answers…

Parisine Plus and its fancy type effects

Parisine Plus by Typofonderie

Started as an informal versions of Parisine, Parisine Plus was designed with the idea of bringing to a sanserif a lot from what we can generally find in serif typefaces. Serif typefaces are built on long tradition of letterforms taking their roots on writing. It is less directly the case with sanserif. Parisine Plus can be described as a “lineale garalde” or a Humanistic sans depending which typeface classification system you prefer. Humanistic sanserif are praised for their legibility and the rhythm they bring to paragraphs.

Typocamp 2012: re-enchant reality

TypoCamp

Typocamp is the result of a joint initiative of the Foundry (Digital Agency of Île-de-France), Silicon Xperience and Graffr, within the Futur en Seine festival. It is a type manifestation of a new kind posing as challenge of creating and staging typography in 48 hours in the fields of print, web and animation. We have also noted the presence as a type design team from the Velvetyne type foundry. The first edition took place on 22, 23 and 24 June at the Cantine.

A good taste cost less: Ambroise

Ambroise by Typofonderie

Ambroise attempts to reproduce more of what we see printed on paper in the 19th century; a more accurate representation of Didot punches. So, the unbracketed serifs are not truly square straight-line forms but use tiny transitional curves instead. The result on the page appear more softer and less straight, particularly in larger sizes.